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FIRE …. October 30 – December 5, 2009
Blane De St. Croix works in sculpture, drawing and installation. His work articulates humankind’s desire to take command over the earth -- alluding to conflicts with ecology, politics and ourselves. The work also reveals conflicts with nature, while asking us to reflect on our precarious relationship with our surroundings. De St. Croix’s work draws from painting and sculpture’s historical use of the landscape as subject, entering it into the contemporary consciousness of the conflicted landscape; certainly paying homage to land artists such as Robert Smithson and Michael Heizer and the painter Anselm Kiefer.
This exhibit will consist of both sculpture and drawings. Included will be works created in the past few years exploring the forest fire as subject and new work created especially for the gallery reflecting upon the subliminal landscape imagery of the Florida Everglades and how it ties into encroachment, conservation and restoration.
Blane De St. Croix was born in Boston, Massachusetts and educated at Cranbrook Academy of Art, Bloomfield Hills, Michigan (M.F.A. - Sculpture) and Massachusetts College of Art, Boston, Massachusetts (B.F.A. - Sculpture with distinction). Previously De St. Croix was a visiting Assistant Professor at Whittier College, Whittier, California. Currently he is an Associate Professor at Florida Atlantic University, Boca Raton, Florida. He lives and works in both South Florida and Brooklyn, New York. |
Landscape Section: Marsh (detail)
Mixed media, dimensions variable, 2009 |
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Thomas Lyon Mills …. January 8 – February 13, 2010
In Rome over the years,Thomas Lyon Mills has obtained permission to pass countless hours in places that are not always accessible to the public: Early Christian catacombs long under lock and key; a large ancient Mithraeum adjoining tunnels under the Baths of Caracalla; passageways beneath the Colosseum; the 5th-century church of Santa Maria Antiqua on the Roman Forum. In his native New York State, he retreats to a hidden spot in the Adirondacks, a natural sanctuary where, as in Rome, he absorbs the spiritual energies of the locale. For Mills, these sites invite contemplation, coalescing time, memory and other intangibles. He records in copious notes his impressions of these places and of the pre-16th-century art that deeply moves him, along with transcriptions each morning of his dreams. All find their way into his dense, middling- to large-scale mixed-medium drawings, which reveal their multilayered secrets slowly and incompletely to the beholder. The drawings may be worked on for a period of years. Shapes materialize as if through a process of geological accretion and erosion, with old marks erased to make room for new ones on what become heavily abraded surfaces. The images are generally dark dream spaces with forms dissolving into amorphous browns and blacks. Occasionally, mists of acrid hues waft by or bright light shines in through a chink. In his damp and silent places, weird fauna and flora appear, of unusual shapes and colors. Some seem to glow in the dark. – From Art in America, by Michael Amy
Thomas Lyon Mills received a BFA from the Cleveland Institute of Art and his MFA from Cranbrook Academy of Art, in Bloomfield Hills Michigan. He has exhibited his work since the early 80’s and has been a guest lecturer/visiting artist at Harvard, the Bauhaus in Germany, Parsons School of Design in NYC, Tyler School of Art, Auburn University and Cranbrook Academy of Art to list a few. |
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Jan-Ru Wan …. February 26 – April 10, 2010
The Heart of Perfect Wisdom Sutra, one of the most beloved texts of Buddhism, says, "All dharmas are marked with emptiness," and "Form is emptiness and the very emptiness is form." The words of the Heart Sutra are often found printed on the fabrics in Jan-Ru Wan's artwork and illumine qualities of her aesthetic, which embraces both positive and negative spaces, ethereal volumes suspended on monofilament to create enveloping structures, seemingly arising from the void.
Wan was born in Taiwan and brought up within the Taoist and Buddhist traditions. Her work profoundly melds influences of both East and West. Currently, she is an assistant professor at the School of Art and Design at East Carolina University. She originally studied to become a fashion designer but abandoned that field because she wanted to express something deeper with her work, something she calls "The power of thread," a concept that, for her, encompasses symbolic and literal imageries of thread as a connector and mender of whatever has been torn. |
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Annual Student Art Show ... April 22 - 30, 2010
This exhibition features the work from Edison State College art students and includes painting, drawing, design, ceramics and photography. |
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August 28, 2009, 7 P.M.
Laurence Gartel
In conjunction with his exhibit
October 30, 2009, 7 P.M.
Blane De St. Croix
In conjunction with his exhibit
January 8, 2010, 7 P.M.
Thomas Lyon Mills
In conjunction with his exhibit
February 26, 2010, 7 P.M.
Jan-Ru Wan
In conjunction with her exhibit
All performances will be in the bob Rauschenberg gallery
"Great Movie Music and Broadway Hits"
Monday, November 16th, 2009 at 1:00 P.M.
Bob Rauschenberg Gallery - Edison State College - Fort Myers Campus
Joan Stewart, Janie Spangler Violinists
Vivian Aiello, Viola and Diane Coffman, Cello
Movie Music |
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Amadues |
Wolfgang A. Mozart |
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Por Una Cabeza Tango |
Carlos Gardel |
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Theme from Schindler's List |
John Williams |
blah |
A Hard Day's Night and Yellow Submarine |
The Beatles |
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Broadway Shows |
blah |
West Side Story
(One Hand, One Heart/I Feel Pretty/Tonight/Somewhere) |
Leonard Bernstein |
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Andrew Lloyd Webber |
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Cats
(Memory) |
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Andrew Lloyd Webber |
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Phantom of the Opera
(All I Ask of You/Music of the Night) |
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The King and I |
Rodgers and Hammerstein |
This series has been created for the students of Edison State College in conjunction with the support of the Bob Rauschenberg Gallery. Every musician that performs in this series would like to extend their appreciation to Mr. Ron Bishop, Gallery Director, Edison State College Faculty and to all the Docents of the Bob Rauschenberg Gallery.
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Watch for these future performances
January 11, 2010, 1 P.M.
Flute, Cello, Harpsichord
March 22, 2010, 1 P.M.
Cello Power
The performances are free, open to the public and held in the gallery. The chamber music series is sponsored by the Gallery docents.
The Gallery would like to express its sincere appreciation to Diane Coffman for developing the series.
The Bob Rauschenberg Gallery is located on the Lee County Campus, in the Humanities Hall (Building L), next to the Barbara B. Mann Performing Arts Hall. The Gallery is open to the public and is handicap accessible. There is no charge for admission but donations are accepted. Groups of 20 or more planning to visit the exhibit are asked to call for reservations.
For additional information or to schedule a group visit, please call (239) 489-9313, Monday through Friday, 8:30 a.m. to 4:30 p.m.
Gallery hours:
Monday - Friday 10 a.m. - 4 p.m.
Saturday 11 a.m. - 3 p.m.
Closed Sunday and holidays
http://www.bobrauschenberggallery.com/
